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      <title>Straight out of a novel</title>
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      <description>&amp;ldquo;The Museum of Innocence&amp;rdquo; is the physical embodiment of Pamuk’s novel. The protagonist, Kemal, constructs a fortress against time using Füsun’s earrings, hairpins, and 4,213 cigarette butts. Terrified of forgetting, he chooses to solidify memory into physical space. This stands in stark contrast to Proust: while the taste of the madeleine cake visits Marcel by chance, Kemal’s collecting is an act of voluntary imprisonment. Instead of waiting for memory to find him, he builds a space with his own hands to lock it away.</description>
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